Daniel Reynolds

Daniel is a writer and editor whose work can be found online, in comic books, and — if you ask nicely — a few screenplays. He labours as a municipal employee when not discussing, thinking, or writing about film. Just mention Star Wars or The Third Man and watch him go on and on.

Godzilla Minus Zero Review

Any Godzilla movie is a promise: we'll see a big monster, and we'll see it destroy something. Godzilla Minus Zero…

4 days ago

Fatherland Review

Though not the film’s point, some grand shots in writer-director Paweł Pawlikowski's Fatherland generate unexpected curiosity. How does he recreate…

1 week ago

You Can See Everything Review

Watching the evolution of Nathan Fielder's style is to invite deception into your life. Co-directed with Lance Oppenheim, You Can…

3 weeks ago

Whalefall Review

As if we needed another reason to fear the ocean, here's writer-director Brian Duffield's Whalefall. In the film, a sperm whale…

3 weeks ago

Digger Review

Digger expends a gobsmacking amount of resources to come to life. For star Tom Cruise and director Alejandro G. Iñárritu,…

1 month ago

Primetime Review

We don't need another movie about the morally dubious people who make our television. It's already understood that show business…

1 month ago

Ink Review

There's a raucous energy to the start of director Danny Boyle's Ink, which seems to match the film's subject. Spurred…

2 months ago

The Only Living Pickpocket in New York Review

As a love letter to the city and disappearing way of life, writer-director Noah Segan's The Only Living Pickpocket in…

2 months ago

Babies Review

For the elder millennial, the question of whether or not to have kids can loom large. I note that qualifier…

2 months ago

Love of Your Life Review

Romantic dramas like Love of Your Life are designed to be specific yet speak to a universal condition. We all want…

2 months ago