A24

Past Lives Review

Writer-director Celine Song's debut feature, Past Lives, is essentially a two-hander, even if its opening frame contains three people. What's…

3 years ago

You Hurt My Feelings Review

You Hurt My Feelings, the latest film from writer-director Nicole Holofcener, is about a life-long struggle. No, not the one…

3 years ago

Beau is Afraid Review

Considering everything there is to unpack in Beau is Afraid, the latest opus from writer-director Ari Aster, its central conflict…

4 years ago

Beef Review

Despite its awareness of class distinctions, Beef is not particularly economical in its storytelling. The 10-episode series, created by Lee Sung…

4 years ago

Daniel Reynolds’ Top 10 Films of 2022

It's already passé to declare the past year a "weird" one for movies—or even weird in general. This is just…

4 years ago

Interview: Aftersun’s Paul Mescal and Charlotte Wells

Aftersun writer/director Charlotte Wells and star Paul Mescal sat down with Brief Take during the Toronto International Film Festival 2022…

4 years ago

Interview: Causeway’s Lila Neugebauer

Director Lila Neugebauer's debut film Causeway is being released by Apple TV and A24, but she arrives with an excellent pedigree upon her…

4 years ago

Men Review

[usr 2.5 text="false" size="16"] The opening sequence of writer-director Alex Garland's Men provides a neat summary of his whole deal as…

4 years ago

After Yang Review

[usr 3.0 text="false" size="16"] If the future of After Yang, the new film from director Kogonada, is the one we get,…

5 years ago

Red Rocket Review

[usr 4.0 text="false" size="16"] The desperation in Red Rocket, the new film from director Sean Baker, is inextricable from its…

5 years ago